Friday, May 30, 2025

Books: Living On Earth: Forest, Corals, Consciousness, And The Making Of The World



(Drivebycuriosity) - I am fascinated by evolution, how we and every living thing around us developed. Peter Godfrey-Smith takes the reader on a journey through time and narrates about
 how human being evolved, developed social behavior and then created cities: "Living on Earth: Forest, Corals, Consciousness, and the making World" (about 250 pages amazon). The author is a professor in the School of History and Philosophy of Science at the University of Sydney. 

The author writes about his frequent dives at Australian coasts - where he watched octopuses and other live forms -, his hikes in his native Australian forest and his visits of the African rain forest. Besides his own extensive research Godfrey-Smith processes the work of many others, including geneticists, historians & philosophers. I enjoyed the 9 essays with more than 40 chapters very much and I learned a lot, but the book blossoms in many directions and it is too eclectic to write a fair review.

Anyway, here are some tidbits: 

                     Pockets Of Order

Our world is ruled by the laws of thermodynamics and entropy and order turns finally order in disorder, everything will fall apart. But a living organism is - temporarily - "a pocket of order, a cluster of chemical processes that maintains itself, self-perpetuates, keeps re-creating its otherwise improbable organization".

"Life on earth might have get started around ocean vents, where a natural flow of energy and materials comes up from beneath the earth, and porous rocks provide compartments in which reactions can be partly confined. From there, some of these cycling tangles of activity could start to produce boundaries - rough and imperfect - that are self-made rather than externally provided. The result is something increasingly cell-like."

"The more stable of these cell-like pockets of order will persist, and might bud off new one, like daughters, containing small sample of these interacting chemicals.........Each one is self-perpetuating, maintaining itself through cycles of chemical reactions, and occasionally creating new system of the same kind".

"Pockets of organization, making use of a source of energy and some initial way for reactions to compartmentalize, leading to cell-like self-maintaining beings that proliferate within a more chaotic and disorderly sea around them."


                    Darwinian Competition

Godfrey-Smith quotes also Richard Dawkin´s book "The Selfish Gene": "Life begins with replication, with some molecules arising that produce copies of itself. These copying molecules spread, become numerous, and can also have effects on what is around them that influence their chances of being copied. Some are better at this than others, and through this initial Darwinian competition they become able to form cells and control metabolic processes, slowly bringing more of the world under their control".

What we call "life" usually involves both of these phenomena (metabolism & reproduction) - the use of energy to maintain order, and the production of new living being from old.

And there is more, for instance: 

"The world gets warmer, that leads to more carbon being locked up in rock by the geological carbon cycle, and this (eventually) makes things cooler, heading back to where we started".

"In the early history of the transformation of the environment by living organisms, effects were mostly achieved by producing and modifying chemicals. Sometimes, as with plants and rivers, organism had effects through their growth and form".

 

     Shrieks, Cheeps & Soprano Cadences

We learn about birds: "Small parrots appeared in large flocks...They gathered in trees, filled them, turned a dead tree from gray into sparkling yellow-green. Occasionally they flight together and came swooping and rocketing over the water hole, over our heads. We could hear and feel the thousand of small wing beats."   

"King Parrots emit single soprano notes of a half-second of so when they are sitting, and a great mixed-up blast of sound when flying.... some have a call like the squeak of a rusted gate, or a cork being pulled from a bottle. When all are going at once, the air fills with shrieks, cheeps, a few soprano cadences, and, as if n celebration, corks being pulled from wine bottles, over and over again".

 

                    Chemical Communication

Godfrey-Smith describes how living beings communicate, for instance "bacteria communicate by releasing and absorbing chemicals. They use chemical communication to work out how many other cells of the same kind are around (this is called "quorum sensing")". 

He sums up: "Life, pockets of order and the control of energy, appeared early on Earth. Life exists within flows, in traffic, using resources and changing its environment. Life includes reproduction, along with the metabolic control of processes. With reproduction comes recurrence and multiplication: a few give rise to many. With multiplication, variation, and the inheritance of traits comes a Darwinian process of evolution by natural selection". 

I chose this books because I loved Godfrey-Smith`s book "Metazoa - Animal life and the Birth of the Mind" that I find better accessible" (my review). I recommend to start with "Metazoa" and maybe continue with "Living on Earth".   

 

 
 

Thursday, May 29, 2025

Football: 1. FC Heidenheim 1846 - How A Small City Club Establishes In Germany`s First League




 (Drivebycuriosity) - If you are interested in football, in the US known as soccer, you might follow Deutsche  Bundesliga. Then you might know clubs with huge budgets like Bayern München, Dortmund, Red Bull Leibzig, VFL Wolfsburg (owned by Volkswagen) or Bayer Leverkusen, owned by pharma giant Bayer.
But since summer 2023 there exists also a micro-budget club: 1. FC Heidenheim 1846, at home in a tiny industrial town (50,000 residents) between Stuttgart and Munich. The club isn´t supported by the fan base of a big city, neither are there huge sponsors. Anyway, they established themselves - by staying there without relegations - and will start their third Bundesliga season coming August. 

Heidenheim`s success was made by Frank Schmidt, the lead coach of the club. In 2007, Schmidt, a former soccer player, who also is educated in banking (Bankkaufmann), took the lead of Heidenheim when they played just in Germany´s Oberliga, the fourth tier of the professional system. Since then he led the club upwards, even with tiny budgets, and reached Bundesliga in summer 2023. And - contrary to other coaches - he never suffered a relegation.  

 

                      Combative Mindset

In his autobiography "Unkaputtbar" Schmidt tells the club`s history and explains his concept ( amazon). The word means "indestructible", contrary to the German term "kaputt gehen" - a quote by another German football coach, who praised Heidenheim`s & Schmidt`s very combative mindset.

According to Schmidt, Heidenheim`s sociological & economical background is shaped by the climate (highest and coldest stadium in German professional football) and the frugal regional "Swabian" mentality. Because Heidenheim relies on a tiny budget, the club could not keep top players for long. If one of them got attention, for instance as goal shooter, a bigger club wanted to buy him (the contract between club & player). These transfers supported the finances of the little club.

The first Bundesliga season after Heidenheim`s promotion went surprisingly well. On match day 34, the last of the season, the club finished on place 8 - out of 18 -, that permitted them to participate in the Conference League, a pan-European tournament, where they competed against Chelsea and 7 more European teams.   

Unfortunately some transfers created a crisis in Heidenheim´s second Bundesliga season, that ended this week. Summer 2024 the management sold attacker Tim Kleindienst plus winger Jan-Niklas Beste to other clubs. Kleindienst went to Borussia Mönchengladbach (for €7 Mio.) and Beste joint Benfica Lissabon (for €8 Mio.), a club that participates in the European Champions League. Beste/Kleindienst had been the perfect soccer duo. Beste used to pass free kicks or corner shots straight to Kleindienst, often toward his head, who shot the ball straight into the opponent`s box. 

 

                   Struggling To Adapt

Heidenheim tried to replace the duo with other - much cheaper - players, like Leo Scienza, who had been top scorer in the third league with SSV Ulm 1846 and had helped his club to advance to second league. Heidenheim paid just €600,000, but unfortunately Scienza struggled to adapt to Bundesliga and coach Schmidt kept him most time on the bench. 

Thanks to the player sales in summer 2024  - and the extra strain from 10 matches in the Conference League - in season 2 Heidenheim accomplished just 3 Bundesliga home wins and finished on place 16 with just 29 points and a goal difference of minus 27. Being the No. 16 the club had to defend their Bundesliga spot in a relegation game against the No. 3 of the second league, SV Elversberg, that happened in 2 legs, Thursday May 22 and Monday May 26.

 

                    Last Minute Save

The first leg ended 2:2, but Heidenheim won the second 2:1 (4:3 in aggregate) thanks to a last minute goal by Scienza, who already assisted to the other 3 Heidenheim goals. Coach Schmidt had started without him in the first leg, but reactived Scienza after half-time break because Elversberg led 2:0. Scienza´s goal and his assists finally saved Heidenheim´s Bundesliga participation. 

Falling back to the second league could have reduced Heidenheim`s annual media-income (TV & global streaming) by about €40 Mio ( kicker.de). So Scienza justified the €600,000, that Heidenheim hat paid for him, by far. Let´s hope that the frugal management does not sell this gem, who´s contract runs through summer 2027, too soon.  

Good luck to Schmidt and 1. FC Heidenheim.

 



Monday, May 26, 2025

Art Market: Tidbits From Spring Auctions 2025 @ Sotheby`s New York


 (Drivebycuriosity) -  It`s May again and the world`s largest auction houses have their annual huge Spring auctions in Manhattan. This post focuses on Sotheby`s (sothebys ). As usual quality & quantity of the displayed art works were overwhelming and admission was free. I display here just my favorites, a very subjective selection.

 



This post starts with 2 powerful painting: "Alpine Retreat 2" by Adrian Ghenie (2017, oil on canvas, 290 by 300 cm) & "Burkini Kill" by Cecily Brown (2016, oil on canvas, 185.4 by 180.3 cm).

 



Above follow "I Couldn`t Care Less" by Jenna Gribbon & "Man Crazy Nurse" by Richard Prince.  




"Woman Contemplating A Yellow Cup" by Roy Lichtenstein & "Leaves Of A Plant" by Georgia O`Keefe.

 




"Sparks" by Andrew Wyeth; "Across The Place" by Yu Nishimura & "Tolbrook" by John Currin.

 




"La Traversée Difficile" by René Magritte; "LÀddition" by Félix De Marle & "Femme À L`Hippocampe" by Jean Metzinger.

 




"La Trompe" by Gustave Courbet; "Woman Knitting By A Window" by Peter Ilstedt & "Frozen Custard" by Reginald Marsh.

 




Last but not least some nudes: "Torse De Femme Nue Couchée" by Pierre-Auguste Renoir; "Nu À La Tasse De Thé" by Henry Lebasque & "La Modèle Lisant Au Nu À La Cheminée" by Albert Marquet.

 



Enjoy!

Wednesday, May 21, 2025

Books: The Talented Miss Highsmith By Joan Schenkar


 (Drivebycuriosity) - Patricia Highsmith belonged to the most important writers of the 20th century, blending art with entertainment. Her murderous tales are deeply influenced by Sigmund Freud and her own secret obsessions. Higshmith novels got turned into movies by Alfred Hitchcock (Strangers on a Train), Anthony Minghella (The Talented Mr. Ripley), Todd Haynes (Carol) and many other directors ( imdb).

Joan Schenkar´s biography "The Talented Miss Highsmith" dives deep into the life of the author ( amazon). Apparently the Highsmith (1921-1995) didn`t have a nice childhood, resulting in an strong hatred against her stepfather, even though she took his name, and deep aversions against her mother, with whom she had continuous severe conflicts over her whole life. 

Maybe her conflicted childhood was the cause that she became an alcoholic and a heavy smoker. The Higsmith disliked food and lived mostly from peanut butter, beer and filterless cigarettes. And she was an enthusiastic coffee drinker; her heavy caffeine intake may have saved her from a lever damage. 

But her habits and addictions took their tole, she was underweight, aged fast and turned from a breath taking beauty in a very unattractive woman. Her biographer describes her as "an improbable tough woman with an impossible soar center".


                        Triumph Of Evil

Highsmith novels & short stories mirror the author`s dark fantasies & tastes, influenced by Brothers Grimms`sinister fairy tales. She declared that "obsessions are the only things that matter" and "perversion interests me most and is my guiding darkness". 

Schenkar describes her object as an amazingly fecund creator. The Highsmith had "ideas as often as rats have organism". At twenty she declared "I am four people: the Jewish intellectual, the success, the failure, and the Fascist snob. These shall be my novel characters". Her Ripley and other books showed "the unequivocal triumph of evil over the good, and rejoicing in it. I shall make my readers in it too".

The Highsmith appeared to be very ambitious. In 1950 she wrote in her diary: "I find I have no sympathy for the individual whose spirit has not led him to seek higher goals, in the first place, at a much younger age." She confessed about the pleasure she felt in choosing art over life and claimed that "acquired tastes are so much delightful than natural ones".

Unfortunately her novels & stories were not for the American taste. At the begin of her career her articles - written for the New Yorker or other magazines - got usually rejected. To make a living she worked for comic books publisher, very successful, but she did not like the job and was not proud of her success. Even when the Highsmith reached the peak of her career, she stayed almost unknown in her homeland, but she was lauded in Europe and the Swiss publisher Diogenes became her global representative. That also tells something about the taste of the Americans.

Besides her published works (when I lived in Germany I had a full book shelf just with Highsmith works) she left 250 unpublished manuscripts of varying length, thirty-eight writer´s notebooks and at least eighteen diaries. She drew, she sketched, she made sculpture. She hand-crafted furniture and carved out little statues. In 1961 the Higsmith wrote: "I am person of many parts/With a goal beyond me reach". She lived to write and she literally wrote for her live.

 

                 Obsessed With Numbers 

She was obsessed with numbers. Her letters, cashiers, and diaries bristle with figures - financial calculations, numbered lines of task, addresses, miles, kilometers, times, dates, body temperatures, red blood cell counts, her IQ (121 in her mid teens). Early in her college career, she was also making numbered lists of the relative virtue of different religions and she delved into Hinduism.

The Highsmith liked to travel. She visited Mexico, Germany, France, London and many places in the US, and she often changed her residences. And very frequently she replaced her lovers, usually females. The Texas born writer settled finally in Europe, first in France, then in a remote Swiss village.

She had an aversion to crowds. Higsmith was most at ease in smaller gatherings. Intimate parties, gallery exhibitions, and drawing classes were the assembles she frequented most. And she was very self-determined. When she visited a library, she was not interested in consulting with the librarians. She came in, got what she wanted and left.

 

               Watching Snails Mate

And the Highsmith was obsessed with snails! In the 1960s she kept about three hundred snails as pets! And she took her favorite snails with her on trips. It fascinated her watching the mating process of two living organism that "can go on for fourteen hours". She found it "relaxing" to watch her snails mate because their copulation had an aesthetic quality, nothing more bestial in it than necking". 

She also noticed that "it is quite impossible to tell which is the male and which the female, because their behavior and appearance is exactly the same". Patricia Highsmith's favorite snail was named Hortense and she named a character in her novel Deep Water after her. It is not surprising that the Highsmith wrote a lot snail stories, but her first story of this kind, the now famous "The Snail-Watcher", needed years to be accepted for publication.
 

Unfortunately the Highsmith suffered on anemia and was counting her red blood cells frequently. She was sensitive to "noise". When she lived in France she complaint about a noisy Portuguese family who lived close to her home: "The Portuguese - it is like a pot of boiling soup next door, every vegetable leaping out of the pot and screaming". She declared: "I can easily bear cold, loneliness, hunger and toothache, but I cannot bear noise, heat, interruptions, or other people".

 

                   Very Heavy Swords   

The Highsmith had always been fascinated by the image or the presence of a young girl - even when she herself was still a young girl.

Close to the end of the biography there is a long list of items - former Highsmith possessions - that the Swiss Literary Archive had inherited and now preserves. The list contains objects like a wooden head, whose face is frozen in an expression of horror and sorrow; a goat´s bell; two long, very heavy swords (Confederate swords, that she had bought in Texas); many little cat figurines and toys; reproductions of David Hockney drawings; an AL Fatah pin; a lace snail encased in fiberglas.  

Highsmith`s biography is as fascinating as her tales. 

Tuesday, May 20, 2025

Contemporary Art: Admiring The MFA Thesis Exhibition 2025 @ New York Academy Of Art

 


(Drivebycuriosity) - The art world is full of pleasant surprises. Last Sunday, while walking through Manhattan´s Tribeca district on my way home from the Hudson River, I spotted a wonderful show, the MFA Thesis Exhibition 2025 @ New York Academy Of Art ( nyaa.edu/2025).

The public exhibition had already ended on Saturday the 17th, but the friendly people let my wife and me in anyway and I cut took some pictures there. I am impressed what these young artists already created and display here my favorites, a very subjective selection as usual.

 



On top of this post you can see the expressionist "2022 (Zaporizhzhia)" by Anna Kraske (2025, oil on canvas). Apparently the painting refers to a Russian bombing attack on the Ukrainian city Zaporizhzhia. Being a connoisseur of art I love the powerful cinematic style of this work. Above this paragraph follows "Snow" by Sarah Dixon (oil, oil pastel, and soft pastel on canvas). What has happened here?



Above you can see
"Safe Space" by oneslutriot (
oil, acrylic, and charcoal on canvas). Looks like fun, but safe? Why does the artist hide behind an anonym?


 



Above this paragraph follow "In Circles" by Mariam Kvashilava (ink and acrylic on canvas) & "December" by Thomas Tustin (2024, oil on canvas).

 



Then follow "Faith" by Bar Admonit Plivazky (pastel on paper mounted to foam core ) & "Torso" by Sara Nevius (oil on canvas).

 





Above: "Three Figured Distorted Composition" by Elif Olmez (oil on canvas); "Mother and Dog" by Lauren Sanderfer (oil on linen); "Blue Tussle" by Holly Lowen (oil on linen) & "Untitled" by Hannah Drew (oil on panel).

 



Last but not least: "Andrea" by Amanda Boyd Yin (woodcut) & "Dishwashing" by Cass Waters (charcoal, acrylic, ink, shellac, oil, and concrete on masonite). The prices of these works are surprisingly low, you can find them on their website.

Enjoy!

Monday, May 19, 2025

Science Fiction: A View From The Stars By Cixin Liu


 (Drivebycuriosity) - Cixin Liu is the most important science fiction writer of the 21rst century so far. His trilogy "Remembrance of the Earth´s Past", beginning with the novel "The Body Problem", is a huge space opera. The novels play with the laws of physics & mathematics and they translate relativity & string theory, quantum physics and much more science into speculative & fascinating fiction (my  review). 

Liu created at least another standard work: his novel "Ball Lightning" juggles with the laws of physics and quantum mechanic phenomena and turns it into fascinating read ( driveby). Cixin Liu continues the tradition of Asimov, Heinlein & Clarke and defines the genre for years to come.


The anthology "A View from the Stars", a collection of Liu`s short stories and some essays, partly autobiographic, gives an introduction into his thinking ( amazon). The book is more for fans of Liu and sci-fi aficionados than for the general readership.

I find it interesting that the first science fiction book that Liu read - and that had introduced him to the genre - was a young adult version of Jules Verne´s "Journey to the Center of the Earth", because a young adult version of Verne novels was my first science fiction book as well. The young Liu learned from his father that this novel is fantasy, "but it´s based on science". This established the core concept that would later guide Liu as a writer of sci-fi. 

The author describes his development as a writer, the evolution of Chinese sci-fi, speculates about the future of humankind and interstellar macro-civilizations. He also elaborrates about the dark forest theory, the core thesis of the "Remembrance of the Earth´s Past" trilogy.

I like the short story "Wale Song" about a powerful criminal and a scientist who use a wale for their sinister purpose. Other stories are about time travel, chaos theory (the famous butterfly wing effect), traveling with the help of a particle accelerator, dangerous asteroids and more.

I strongly hope that Liu will continue to write and to enrich the genre with more gems.

Science Fiction: Why Blindsight By Peter Watts Is Just A Waste Of Time


 (Drivebycuriosity) - I love science fiction. But there is a problem - the genre and the term are not protected. Anybody can write anything and call that science fiction; there is no law against that. Unfortunately the majority of the so-called science fiction is just garbage, there is no science in it.

I just tried "Blindsight" by Peter Watts, a book that got nominated for the "Hugo" and other prestigious awards ( amazon). The novel is called hard science fiction, a genre usually based on logic and science. But there is no logic in Watts`tale - and no real science.

The author mixed a hip cocktail of popular themes like identity, consciousness, free will, artificial intelligence, neurology, and game theory as well as evolution and biology ( wikipedia). There are vampires (!) and fancy terms like a "Kurzweil Institute", referring to a famous futurologist. There a bacteria "who thrived with carefree abandon on the skins of space ships". What about vacuum? near zero Kevin? radiation? 

Suddenly fast-moving nine-legged aliens appear out of nowhere and shell the earth with "fireflies". For what purpose? Where do they come from? How did they travel so many light years? Apparently Watts tries to impress readers who are not familiar with the genre. I assert that Blindsight may pass as a young adult book (that´s cool, Dude).

If you want to read real science fiction of the 21rst century - written for adults - then you might try Cixin Liu´s "Three Body Problem", the start of the "The Remembrance Of Earth`s Past" trilogy ( driveby). Alastair Reynolds`space opera "Pushing Ice" (driveby ) or James L. Cambias "A Darkling Sea" (driveby ) are also much more worth the time.

 

Saturday, May 17, 2025

Art Market: Tidbits From Spring Auctions 2025 @ Phillips New York






 (Drivebycuriosity) -  It`s May again and the world`s largest auction houses have their annual Spring auctions in Manhattan. This post is about the galleries @ Phillips, the number 3 of the global auction houses (phillips ). The company has the reputation to be more focused on contemporary works than her bigger competitors and to show more cutting edge art by up-and-coming artists. But they also had some big names. I display here some of my favorites from the exhibition - as usual a very subjective selection.







I think Rudolf Stingel´s "Untitled" (Oil on canvas) and Jeff Koons`"Dolphin Taz Trashcan" (polychromed aluminium, galvanized steel and coated steel chain ) are a perfect match.

 




The versatile Nicole Eisenman is a master in many stiles, figurative, abstract, sculptures & installations. Her triptych above is called "Team Shredder".   

 



Above another star of the female art world: Cecily Brown with "Picture This 3" followed by Dan Colen`s "Mother (Hole in Tree)". 




Above follow "In the Wilderness" by Scott Kahn & "Adam et Eve" by Suzanne Valodon.

 


 

Above you can see "Despedida" by Armanod Morales.

 


Above another Philip Pearlstein painting: "Punch on a Ladder #2". At Sotheby`s I spotted his "Model with Horn Chair" last week.

 




 

To be continued